MORE PEPPERS…."HOT!”

Today, I finished the little pepper painting I started last Saturday.  I photographed my progress – with  the last photo showing the completed painting. I’m about half-way through this pepper painting. All the under-painting is complete  and I’ve “lifted” highlights.

In this photo, you can see that I’ve deepened the shadow side of the green pepper, added a red “spot” on it for reflected light bouncing off the red pepper in front.  I also “raised the temperature” of the red pepper.

  In the above  photo, the foreground is painted and reflections are added, wet-into-wet. 

Below is the finished painting. The “mingled” blue-green background was painted wet-into-wet, and I re-worked highlights in all the peppers.  In the foreground I “found” some more reflections under the red pepper and washed in more green on the left. On the right, I lightened the value to a “blu-ish” tint.  This is painting is small in size, but I think it’s BIG on impact!

 

“HOT!”  - 8 x 10 - Watercolor

PEPPERS!

I helped "booth sit" at the Lifestyles Expo today.  Ellis County Art Association exhibited as a group at this annual trade show in Waxahachie, TX. Our group was well represented both with a great display of original paintings and several members were on hand to greet the public.  Four of us set up our plein air easels and painted as visitors to the Expo looked over our shoulders.  Today, demonstrating watercolor techniques,  I got into in my "Pepper mode"! I love to paint them, mainly because I get absolutely out of control with red, yellow and green!   

 8 x 10 Color Study - Peppers - Sketchbook #11

Using the above color study out of my "peppers" sketchbook #11, the painting below turned out pretty nice. The background in this photo is purple on the left...and the color on the right is a "tomatoey orange". Painting wet-into-wet, I allow the colors to co-mingle through the center. 

"Peppers Four"

9x12 Watercolor - 140# Arches

"Peppers Four" turned out so well,  I started another pepper painting. This one is in process - you can see the light pencil sketch for the 3rd one in the back.  The red paper is finished...the green one needs a little more yellow-green.  I think the back pepper is going to be orange; haven't decided yet...might end up a warm yellow with a touch of orange. When I paint peppers, I begin with Hansa Yellow, then "charge" the reds & Blues, into the yellow wash while it's still wet.  I work each one separately, wet-into-wet, pushing the color as far as I can without losing the transparency, lifting out highlights as the pepper goes from wet to dry. 

In Process - "Peppers Three"

9" x 12" Watercolor - 140# Arches

I'll decide on the background color after I paint the 3rd pepper.  There isn't much foreground and it will be mostly red reflections, deep shadows and "bounced" light . I'll finish this up and post it tomorrow.

It was a great day for painting...even if it WAS indoors! 

On Location! College & Main

"College & Main" - 9x12 - Watercolor

Finally! A warm (almost) day with sunshine in North Texas.  I made my mind up yesterday, no matter what the weather, I was going to paint plein air.  I'm sure glad the sun stayed out until I finished this one. I decided to set up on College street, just 1/2 block north of the corner of College & Main street, Waxahachie, Texas. The green building is a new boutique; the red store in the middle is Scott's Furniture; on the left of Scott's is the old Citizen's National Bank building.  I started about 12:30pm when the sun was still pretty high but was still hitting the store fronts full-on.  Familiar with the way the sun "tracks" on this section of the downtown square, I knew by the time I finished my preliminary sketch, the shadows would be where I wanted them. Using a #12 round, I washed the 1st layer in pretty fast & loose letting colors mingle wet into wet. I continued to build layer upon layer, careful to "cut" around the white & light areas with stronger color mixtures, defining windows and building characteristics. I finished up about 3pm as the sun was beginning to cool and clouds were moving in. I took a quick photo of the location with my phone camera, it takes really great photos and I love the convenience.  

The sky was beginning to haze over and I was losing my light pretty fast. I like the composition of the photo; the car wasn't there when I started and would add "life" to the scene.  I'll probably do a bigger studio painting using this photo and my plein air as reference.

All in all, it was a good day's work in my outdoor studio!

Re-working "Sunday Drive"

I posted "Sunday Drive" a couple of days ago and the more I looked at it, the less I liked the composition. The road & the church ended pretty much in the middle.  Additionally, I wasn't happy with all the pine trees on the right; too many verticals.  So I decided to crop the painting to 14" x 18".  1/2" off the top, 1-1/2" off the bottom, and 2" off the right side.  The first image is the original size, 16x20.  

Now the image is 14" x 18" and the road and church are below and to the right of center...much better!  I put the painting back on my easel and decided to add more color to the mountains in mid-distance, and washed a light violet glaze on the mountain in the far distance.  I re-wet the side of the house and lifted some of the color from the shadow side, and while it was wet added some red/orange to the foliage (for contrast within all the green) & dropped in some red/gold "bounced light" under the roof eave. 

I made a few more color "enhancements" within the shadows on the road in the foreground.  It's not often I make so many changes once a painting leaves my easel, but this one really needed "help" with the composition....and color adjustments in the shadow areas. It's 2" smaller in width and height and a much better painting.

SUNSHINE!

Yesterday, snow...today sunshine, tomorrow rain.... Gotta love Texas!

"Sunday Drive"

The past couple of days in the studio have been wonderful! The recent snow fall made me yearn for the mountains...and the only way I could get there was through my imagination, brushes and paint. The setting for this painting is a reminiscent of when I lived in Colorado and the many mountain roads I traveled, both by car and motorcycle.  Around every curve and over the hill a view would pop up unexpectedly that took my breath.  Come along with me on another "Sunday Drive" ..... 

"Sunday Drive"  16" x 20" Watercolor

New Painting - "A Wintery Day II"

"A Wintery Day II - Oil - 14"x7"

A few days ago I posted my watercolor titled "A Wintery Day".  This is a 7x14 oil on canvas using that watercolor painting as reference. I changed up the foreground, mainly because I couldn't get the color of snow I wanted...so after scraping the foreground off several times, I ended up painting rocks with patches of snow.

I'm getting more comfortable with applying the paint, but I'm still having difficulty getting the tints, tones and values I want.  It'll come along - I just have to keep working at it. It's just SO different from watercolor, the thought process is a total brain drain for me.  A 3 or 4 hour session is all I can do.

In April, I'm taking a plein air oil workshop with Jill Carver of Austin, Texas. I admire her work immensely. In October, I'm taking another oil workshop with Michael Chesley Johnson, another plein air painter whose work I admire as well. Perhaps, between the two workshops, and by year's end, that "Ah-Ha" moment will finally arrive.