About a month ago, I was in Wimberley, Texas attending a plein air oil painting workshop by Jill Carver. On the 3rd and final day, we set up on a hilltop overlooking a farm and the vineyards of a local winery. It was a gorgeous view…it seemed we could see forever. Jill gave us all inspiration with her morning demonstration painting – it was beautiful! Afterward, it was time for us to paint…. I took a little too much time making a sketch on my canvas and brushing in the basic under-painting. Alas! the time got away from me and it was time to pack up the gear and head for home. I made value & color notes in my sketchbook and took several photographs, so I could finish it after I got home. So, this weekend, with the aid of my sketchbook notes, photographs and memory I completed the painting. Enjoy!
Showing posts with label farm. Show all posts
Showing posts with label farm. Show all posts
Saturday, May 1, 2010
“HILL COUNTRY MORNING”
About a month ago, I was in Wimberley, Texas attending a plein air oil painting workshop by Jill Carver. On the 3rd and final day, we set up on a hilltop overlooking a farm and the vineyards of a local winery. It was a gorgeous view…it seemed we could see forever. Jill gave us all inspiration with her morning demonstration painting – it was beautiful! Afterward, it was time for us to paint…. I took a little too much time making a sketch on my canvas and brushing in the basic under-painting. Alas! the time got away from me and it was time to pack up the gear and head for home. I made value & color notes in my sketchbook and took several photographs, so I could finish it after I got home. So, this weekend, with the aid of my sketchbook notes, photographs and memory I completed the painting. Enjoy!
Labels:
barn,
barns,
color plein air,
en plein aire,
farm,
green,
landscape,
painting,
plein aire,
Sketchbook,
Texas Hill Country
Thursday, June 26, 2008
Another day, another painting
Title: Shed, Wood's Farm - 8" x 10" Plein Aire
This painting is a simple exercise in control; using only 3 primary colors, plus Burnt Sienna and limiting each color/wash application to no more than 3 strokes. The objective was to produce an image with spontaneous, transparent passages. I think I cheated on the strokes at least a dozen times, but I still ended up with a very nice miniature.
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