In the application of the final few strokes, I realized how much I've missed painting these joyful creatures - So, look for more of my feathered friends on my blog and website!
Sunday, May 5, 2013
AM I BLUE? - Eastern Bluebird
In the application of the final few strokes, I realized how much I've missed painting these joyful creatures - So, look for more of my feathered friends on my blog and website!
Friday, July 20, 2012
105 E. University - A Family's Story

My work in the studio this week was a "labor of love"....a home "portrait". This painting is of a 1920's bungalow on a quiet street in one of Waxahachie's historic districts. My clients purchased the home as newly-weds and as the family grew in numbers, it became necessary to find a larger home.
Two weeks ago, on the day they sold the house, they contacted me and comissioned a painting.
Intimate conversations with clients are as important as sketches and photographs. As I snapped photographs and made quick sketches from several angles, I listened carefully as they talked about the house - and after a short while, I began to see the home through their eyes. It was evident they are excited about the move to their new home, but at the same time, there's the sadness of leaving their first home; one filled with love and laughter and children. A photograph gives me technical information, but there's no emotional connection....it doesn't share memories. It doesn't tell "the story".
Elements in the painting - the big tree and dappled light; the flower gardens; the red door; faces in the picture window - are all connected to a family memory. Everyone - except the family - will see a painting of a house...but the family will see and remember "the story".
Commissions like this one give me great pleasure. I'll deliver "105 E. University" tomorrow to it's new home with the knowledge that it will continue to tell "the story" in the Traugott family for generations to come.
Tuesday, July 10, 2012
Friday Night at Uptown Village
Wednesday, December 29, 2010
Persimmons 9x12 Watercolor
P.S. This is a re-post from December 2010. for the purpose of announcing the availability of the painting.
Saturday, September 25, 2010
A Page from my Plein Air Sketchbook
Today’s plein air session is a good example of making the most of a sketchbook page. The day was overcast and threatening rain at 9am when I arrived on location just south of the courthouse in Waxahachie, TX. Anticipating a downpour before I could complete a painting on the “good paper”, I decided instead to work in my sketchbook….under the back door hatch of my Expedition. I paint out of the back of my SUV often using it for protection from sun – or in this case - from rain that was already beginning to fall. It takes some pretty ugly weather to cause me to pack up and call it a day….especially when the day has only begun!
My favorite sketchbook size is 11 x 14 - it gives me several options; I can use the entire page for one composition, or divide it up into 2, 3 or even 4 “minis”. In about an hour and a half, I completed the 4” x 9” vertical on the left “Crossing on S. College” and the upper right 3” x 7” horizontal “Viaduct – Crossing on S. Rogers”. - by this time, the rain was falling pretty hard and it was almost time for lunch, so I packed up & met 2 other artists (painting from their SUV’s as well) for lunch. Afterward, we all went to Getzendaner Park, for the annual Chautauqua Assembly and set up our easels under the exhibition tent and spent the next couple of hours painting a “portrait” of the Chautauqua auditorium. The lower right 4” x 6” titled “Chautauqua” completed my day’s work in the sketchbook.
Did you notice that even though I never saw a ray of sunshine today, I used my artist’s license and created a “bright & sunny” day with blue skies & fluffy clouds.
Sunday, August 15, 2010
Getting the color “right”…
It’s been way too hot to paint on location lately, so I’ve been spending more time in the studio. Today, I started color research on the Sedona, Arizona area. I’ll be participating in the 6th Annual Sedona Plein Air Festival October 23 through October 30. The internet is great for research and gave me a wealth of information on Sedona and the surrounding landscape. Looking over the photo images “Googled up” on my computer monitor, I discovered 2 things……(1)painting Sedona, Arizona is going to be REAL different from painting Texas…. and (2) I don’t think the “Texas colors on my palette are going to be very useful on location in the Sedona area. Even the greens are different. After playing around in my palette for a while, I finally came up with some mixes that will probably be alright, and entered the following color notes in my sketchbook: ![]()
This note gives me 2 choices with mixing Quinacridone Pink & Winsor Yellow; depending on whether I want a “flat”, even wash (on the left) or a variegated wash (on the right). This mix, thinned with water makes a nice “glowing” pink-orange.
In this sample, I’ve used Quinacridone Pink and Lunar Earth for the light side of the “rock” and for the shadow, a varigated mix of Lunar Blue, Carbazole Violet, and Cobalt Blue (all colors are from Daniel Smith)
The color notes here are using the above mixes with some Yellow Ochre added to the one on the right.
Here’s a thumbnail of the red rock mesas/cliffs typical of the Oak Creek Canyon area of Sedona. I’m close but for better color accuracy, I plan to add several more “granulating” Primatek earth colors by Daniel Smith to my paint supply. A perfect excuse for shopping….don’t you think? Of one thing I’m certain….an artist can never have too many tubes of paint!
Wednesday, June 16, 2010
New Work – 209 North Grand, Waxahachie
I’ve been practically chained to my studio easel for the past week, working on a “home portrait” commission. This “Grande Dame” is one of dozens of historical homes in Waxahachie. The owner purchased the home only recently and plans to begin a complete restoration in the coming year.
I began with several on on location sketching sessions. Above and below are sketches and preliminary color study completed on location.
This was a particularly difficult project in that the home sits on a huge lot with giant 100 year old trees all around it. The grounds haven’t been landscaped in perhaps 25 years…a lot of shrubs & bushes have grown too big. The house is in need of a lot of repair and a good coat of paint, so part of my job was to visualize what it will look like when the owner finishes the restoration later on this year. The entire 2nd story and most of the roof aren’t visible from the street….which was the best vantage point for painting. I had to stand up close to the front of the house, and look straight up to see how the roof, turret, and porch came together. I snapped about 20 digital “close up, detail” images and combined with my sketches, I was able to get a drawing completed. I trimmed bushes, cut down and relocated several trees…resulting in a much better composition. I included a couple of the owner’s personal yard decorations…the flag in the flower garden and 2 lawn chairs to finish it off. I like the way it turned out – it’s been a good week in the studio!
Wednesday, December 9, 2009
Merit Award for "Little Devil River"

"LITTLE DEVIL RIVER" - 11" x 14" - Watercolor.
Saturday, October 17, 2009
Plein Air - Downtown Historic Cedar Hill

Sunday, October 11, 2009
1st Place Award - PAINT CORSICANA



Saturday, June 6, 2009
FIRST PLACE AWARD!
.jpg)



Tuesday, June 2, 2009
Waxahachie, Texas - Paint Out


Saturday, May 9, 2009
New Painting - "Down Rush"

Sunday, May 3, 2009
Another day at Kocian's Corner

Monday, April 27, 2009
On Location in Fredricksburg, Texas
Sunday, April 19, 2009
Blue Ribbon for "Outta Gas"

Saturday, April 11, 2009
HIDDEN FALLS

Saturday, February 28, 2009
An Evening with the DeSoto Art League
I love giving demonstrations! Last Thursday, I was the guest artist for the DeSoto Art League in DeSoto, Texas. I'm a member of this lively and friendly group of artists, so I'm honored to have been asked to give a program. They "tested my mettle" with questions and comments throughout the 1 hour and 20 minute demo.
I began my program with comments about how I set up my palette, color choices, brushes, and paper. I also announced that I intended to complete as many mini-landscapes as was possible in the time alloted me...and that my paintings will be donated to the group as door prizes. This prompted a round of applause!
In this photo, I'm discussing the different types of support available to watercolor artists now; I brought this small painting from my studio... a 6x9 on cold press watercolor board.
In this photo, I've finished up the demo and have completed 4 small 6x8 landscapes. On a roll and in my studio, I can paint as many as 6 in about 90 minutes, but the interaction with the group slowed me down a bit....I completed each one in about 20 minutes; not too bad! My purpose in the "quick-draw" format was to demonstrate that not all paintings have to be "masterpieces"...watercolor is a perfect medium for quick, spontaneous color and value studies. It was fun watching as the names of the door prize winners were announced....all 4 winners had great big smiles on their faces. As I said....I love giving demonstrations!
Tuesday, February 10, 2009
Atteberry's Home

Saturday, January 31, 2009
SATURDAY AT KOCIAN'S CORNER
"James' Equipment Barn"










